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Moira |

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Here she is fully accessorized with hat, bag, and stole. The "fur" stole is of fluffy, white, looped chenille,
which is wired so that it can be draped in many ways and hold its shape. The hat (once again, bigger is better in this period
of fashion) has a stylish wide brim, the underside of which is the black, silky material matching the bodice, while the upper
side of the brim and the crown are green taffeta. The brim is overlaid with black lace, with more black lace cascading down
in back. The crown of the hat is trimmed with black grosgrain ribbon and white, satin roses in front and back; jaunty black
feathers accent one side. The hand-bag is made of the green taffeta accented with white crocheted lace, two white satin roses
and black fringe; the long handle is black grosgrain ribbon.
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Moira |

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The ball gown has a silky, black, strapless bodice that dips to a low "V" in back; the nipped-in waist
is accentuated by a wide, black grosgrain ribbon tied in a fashionably large bow in back. The sweeping, bell-shaped skirt
is of shiny, textured, deep green taffeta; the hemline is accented by narrow black grosgrain ribbon and lovely, white crocheted
lace. The piéce de résistance of the gown is a fabulous accent piece of crocheted Irish lace, which is sewn onto the bodice
and embellished with tiny opalescent seed beads, then allowed to cascade down the front of the gown. Long black gloves complete
the elegant ensemble.
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